The Summer Celebration this morning (NZ time, it was Thursday evening in Scotland) featured New Zealand. This day’s Celebration was beautifully introduced by RSCDS President Jean Martin of Aberdeen. On the recording Summer Celebration (30 July) the NZ focus starts at about 00:57:18. Lawrence and Dunedin dancer Emily Currall provides some of the NZ commentary and teaches a dance.
For Lawrence dancers wanting to do some homework on the Strathspey Pousette (“diamond pousette”), it was taught in the RSCDS On-line Class last week by Robert McOwen, here is the link to the recording of the class, he starts teaching the pousette at about 40 minutes in (00:40:00 on the timer bottom left) On-line Class 22 July
It was also recapped (particularly the phrasing) by Gary Coull in the Summer Celebration session Wednesday 29th July (UK time) Summer Celebration 29 July at about 00:39:40, and covered once again and then danced by Duncan Brown (and family) at about 01:23:29. Duncan also covers the rondel starting at about 01:19:20.
With the annual Summer School at St Andrews cancelled due to Covid-19, RSCDS is holding a Summer Celebration 27 to 31 July. This can be joined live at 7:00AM New Zealand time – follow this link Dance Scottish – A Summer Celebration to the Summer Celebration page which has a “Let’s Dance and Connect” button to join the daily session.
The Thursday session (Friday 31 July 7:00AM New Zealand) will feature New Zealand dancing and some familiar faces.
The sessions are being recorded and can be watched later at any time – they can be found at the bottom of the Summer Celebration page.
We need to try to make sure that we return to dancing (at what every time in the future) in as good physical condition as possible.
Here is a link to a clip I was sent by The Recovery Room (physios in Dunedin) with some good simple exercises to keep your back working, I have managed to do them more or less every day – it doesn’t take long. Recovery Room – back health
Doing one of the warm-up exercises every day (Amazing Grace or the Mervyn Short – links in earlier weeks) – during daylight hours in the morning feels better to me than in the evening.
Keep connected to other SC Dancers – have a look at what the Italian family have been doing (link last week) or watch the weekly lesson from somewhere in the world Dancer Scottish at Home Classes go to the “On-line Classes” menu at the bottom and then you can see the “previous classes” all listed. Or of course you could join the live class at 6:00Am Thursday mornings.
Mervyn Short’s warm-up (see the instructions in last week’s post)
Stepping up and immediately dance skip change of step.
This is usually for 2nd couple, for example if first couple lead down and up (for 3) and then cast off followed by 2nd and 1st couple dancing rights and lefts). It is more common for 2nd man (than 2nd woman) as he has also to do this if 1st couple cast and face their 1st corner.
What we want is for 2nd couple to look as though the stepping up and dancing is all one planned movement and not as if they have been taken by surprise. The problem is that for skip change of step the hop (and extension of the right leg) come before the first beat of the bar (on the first beat the dancer is stepping on to the fully extended right) but meanwhile stepping up takes 2 bars of music ( step-cross-step together on the 2nd and 4th beats of the two bars), so the couple stepping up are both completing the step up (“together”) and hopping and extending their right leg. Something is going to have to give.
The solution is anticipation – be ready for the hop so that both couples are moving at the same time. This is easier for 2nd man than 2nd women. 2nd man is standing on his left leg as he closes the right “together” and (importantly) is on the balls of his feet so that as his right comes together he can hop on the left and change direction of the right. 2nd woman has a trickier time, she is standing on her right foot which needs to be released before it can be extended ie she needs to be hopping on the left foot which is at that moment the one that is moving “together”. So she must get the left foot into place (again must be on balls of the feet) and hop in the amount of time that she would normally just come “together”.
Here are a couple of examples with the stepping up and dancing done very neatly
Lead down and up, crossing and casting followed by half rights and lefts
Lead down and up and cast followed by rights and lefts
1st couple can help the appearance by not passing through second place too early – they should be passing through it on the first beat of the bar and not before, slow down if necessary. Here is a clip of a dance being done in a very confined space (during lock-down in Italy) where 1st couple are careful to not be ahead (to the point of pausing slightly). The stepping up comes on bars 23 and 24. The Lads of Saltcoats (MMM)
Fun stuff to look at
Here are 4 dancers in lock-down in Italy doing a lot of 2 couple dances in a confined space well. Quite inspiring. “Damn Virus We Will Defeat You”
A Jig for Mrs Dunn A Jig for Mrs Dunn
Bars 1 to 8 1st couple dance a Figure of 8 round 2nd couple
Bars 9 to 16 1st couple lead down the middle and up (remaining in the middle, 2nd couple step in on bar 16)
Bars 17 to 24 1st and 2nd couple Promenade and 1st couple cast to 2nd place
Bars 25 to 32 2nd and 1st couple circle 4 hands round and back
Be careful with the phrasing of the Promenade, it is different from a standard 2 couple Promenade. Here are the 8 bars:
Bar 1 Both couple dance a small step diagonally to right and 1st man wheels to left bringing his ptnr beside him, 2nd couple follow them
Bar 2 1st couple dance across to the men’s side and face down, 2nd couple follow them
Bar 3 1st couple dance down the men’s side, 2nd couple follow them
Bar 4 1st couple dance down and into the middle, 2nd couple dance down men’s side
Bar 5 1st couple dance up middle, 2nd couple dance down men’s side
Bar 6 1st couple dance up middle, 2nd couple dance into middle and face up
Bar 7 and 8 1st couple release hands and cast off into 2nd place, 2nd couple dance up and diagonally out to 1st place
We’re going to use a warm-up that UK SCD teacher Mervyn Short used for the RSCDS online “Dance Scottish at Home” class last week. Mervyn took my class at the Cambridge Summer School, he is a wonderful teacher and it is a bit of a bonus to be able to have his teaching again so soon. The Dance Scottish at Home classes are live every week at 6:00AM NZ time and a recording of them is made available by Saturday (NZ time). The teacher each week is a surprise. The class recordings can be found here Dance Scottish at Home Classes Mervyn’s class is the one on 15th April, the warm-up starts at about 12 minutes 30 secs into the recording if you want to skip the hellos and getting things sorted at the beginning.
Bar 1 to 4 – March on spot for 4 bars (8 steps, 4 each leg – obviously alternate each leg!)
Bar 5 to 8 – Forward R and L, back R and L, repeat
Bar 9 to 12 – Step to side –R together, R together, L together, L together
Bar 13 to 16 – Single side steps R together L together, R together L together
Bar 17 to 24 Forward R, L, R then point L heel to floor; back L,R,L then point R heel to floor, Repeat.
Bar 25 to 32 4 Pas de basque (just movement, no impact or lift) then skip change of step forward for 2 and back for 2 (again no elevation and impact)
Go through this 4 times, being more energetic and taking longer steps each time and adding arms.
This will be best done with some music, since you may not have much of a SCD music collection here is a link to a suitable two-step, ignore the video and the general hubbub of chat (if the musicians are playing it is for a reason and that is to dance)
Tarry a While (RSCDS 1st Graded Book)
A simple dance that you can dance on your own (or with whoever is in your bubble) with “ghosts” making up the missing dancers. Make sure that hands are at the right height (the ghosts will not be able to help you – you have to support the weight of your own hand), that you make eye contact and smile at the ghosts and make the pousette a crisp square shape with good 90 degree corners. Here is a link to a video of the dance being done well in a small living room Tarry a while
The Dance instructions:
Bars 1 to 8 1st Man and 2nd Lady turn R hand and then L hand
Bars 9 to 16 1st Lady and 2nd Man turn R hand and then L hand but for 1 1/4 times to end in diagonal line taking R hand with their partner
Bars 17 to 20 Balance-in-line – setting twice
Bars 21 to 24 1st Lady and 2nd man turn 3/4 meeting their partners (who step in) ready for:
Bars 25 to 32 Pousette
And the diagram:
Dance the dance through twice, make sure that you are standing ready to dance when you need to come in – in this dance everyone has bars of dancing and standing so listen carefully to the music and be ready.
Third virtual club night
Warm-up Amazing Grace (again).
Dance. Domino Five. Here’s a video (it’s not a demonstration but it has the great merits that the dancers look as though they are enjoying themselves and the set is the right way round – a couple of demo videos have the set upside down) Domino Five
Here’s the diagram:
Bars 1 to 4 Dancers 1+2+5 dance right hands across
Bars 5 to 8 Dancers 3+4+5 dance left hands across
Bars 9 to 16 Dancers 1+3+3 dance a right shoulder reel of 3 (5 and 1 pass right shoulder to begin)
Bars 17 to 24 Dancers 4+5+2 dance a left shoulder reel of 3 (5 and 4 pass left shoulder to begin)
Bars 25 to 28 Dancers 1+5 change places passing right shoulder, dancers 4+1 change places passing right shoulder
Bars 29 to 32 Dancers 3+4 change places passing right shoulder, dancers 2+3 change places passing right shoulder
- Each formation flows smoothly into the next, dancer 5 is passing through their starting place every 4 bars until bar 24
- Dancer 4 needs to watch the reel in bars 9 to 16 carefully so as to not try to start their reel before bar 17 (often dancer 4 sees dancer 5 coming towards them on bar 12 (half way through the right shoulder reel) and mistakes it for the end of bar 16). At the same time dancer 5 should try to avoid catching dancer 4’s eye.
- The change places in bars 25 to 32 are quiet slow and should be graceful arcs passing through the central position
Now a challenge – Double Domino 5 – add 3 more dancers to the “ladies side” of the set and the dancers in positions 1 and 2 also dance as 4 and 3 in the other part of the set. I came across this in a JAM class I stooged for one Easter School, the dance fell apart on about the 6th time through! The dance has not been published anywhere but I’ve managed to cobble together a diagram for those who like the “Pilling” diagrams, with acknowledgement of Keith Rose whose diagrams I have “copied and paste” to make this poor imitation.
And the instructions:
Bars 1 to 4 1+2+5 also 6+7+8 RH across
Bars 5 to 8 3+4+5 also 1+2+8 LH across
Bars 9 to 16 1+5+3 also 6+8+2 RSh reel of 3
Bars 17 to 24 4+5+2 also 1+8+7 LSh reel of 3
Bars 25 to 26 1+5 also 6+8 chg pl RSh
Bars 27 to 28 4+1 also 5+6 chg pl RSh
Bars 29 to 30 3+4 also 2+5 chg pl RSh
Bars 31 to 32 2+7 (only) chg pl RSh
The dancers in positions 1 and 2 have to keep their wits about them and be ready to dance the LH across as well as RH across and both the reels and dancers 2 and 5 have to be prepared to take part in the change of positions in both parts of the set.
Our second virtual club night:
Warm-up Amazing Grace we will keep doing this, it’ll be great to all do it together when we meet again.
Dance. New Year Jig is a dance we did last year a few times. It is a popular easier dance on evening programmes. It was devised by Maureen Robson of Wellington and published in RSCDS Book 51. The first 8 bars only have 1st couple moving – that makes it easy for a couple that has finished their 2nd time to step down and the 4th couple to step up and be 3rd couple.
Here it is in diagram:
And the instructions:
Bars 1 to 8 1st dance figures of 8 on their own side, passing 2nd couple by right shoulder to begin, 1st lady finishes facing out
Bars 9 to 16 1st, 2nd and 3rd couples dance reels of 3 on the side (1st and 2nd couples pass right shoulder to begin), 1st lady finishes facing out
Bars 17 to 24 1st lady followed by 1st man cast behind 2nd lady, dances up between 2nd couple, behind 2nd man and crosses the set to 2nd lady’s place (2nd couple step up on bars 5 and 6), 1st lady finishes facing out
Bars 25 to 28 1st and 3rd couple dance right hands across, 1st and 2nd couples dance left hands across
Bars 29 to 32 1st and 2nd couple dance left hands across, 1st lady finishes facing out ready to repeat
Here is a video of it being danced New Year Jig. This is an instructional video done by RSCDS and shows the dance danced twice through by one couple (and then shows it again from a different angle).
Some points to note:
- 1st couple phrase their dancing so that they never stop – each formation is completed in just the bars of music for it so that they flow smoothly into the next formation
- The reels – all 3 couples start dancing from the beginning – the 3rd couple dance towards the right (they don’t wait for the other 2 couples to pass before joining in)
- Look at how all couples keep eye contact with their partners at the ends of the reels (turning their heads slightly)
Just a dance to watch – danced as a demonstration at a RSCDS New Zealand Branch Summer School in Dunedin some years ago – Those Russians
Formation – Circle hands round and back. A deceptively simple formation, there really is a lot to think about. It starts (and finishes) on the side lines (straight lines) but is danced in a circle so the dancers dance on a curve to make the circle and danced out on a curve at the end into the sidelines. The feet move first and the hands come up to join the dancers as the circle is formed (no lunging). Hands are released top and bottom at the end of bar 6 to dance out to the sides. The change of direction at the end of bar 4 is anticipated. The whole formation is danced on the balls of the feet alternating 2nd and 1st positions. This video of Farewell to Balfour Road (Book 52) Farewell to Balfour Road shows hands round done beautifully, it is the first 8 bars of the dance and since the dance is a canon it occurs again in bars 17 to 24, 33 to 40 and so on.
Although we are unable to meet physically, we can still have a virtual club night:
Warm-up Amazing Grace
Dance. We have danced Corn Rigs in recent weeks. There is a wonderful short 1957 film called “Scotland Dances”, narrated by Gordon Jackson that can be viewed at the National Library of Scotland website (link below). The film includes a shot of Corn Rigs being danced in a corn field amongst the stooks.
Here is the dance in diagram form
And the instructions:
Bars 1 to 8 1st couple cast off and dance behind own line for 4 bars, turn inwards and dance up to original places
Bars 9 to 16 1st couple dance a figure of eight around 2nd couple
Bars 17 to 24 1st couple lead down the middle and up to finish in the middle of the set facing their partner with both hands joined, 2nd couple step in (on bar24, also join both hands)
Bars 25 to 32 1st and 2nd couples dance a pousette
A few points to note;
- 1st couple turn inwards (towards each other) at the end of bar 4 to dance back up
- 1st couple need to be past 2nd couple so they can step in during bar 24
- The pousette is a square formation with good sharp corners
- Each 8 bars of the dance should fully use the 8 bars of music and be completed in it, the formations should flow smoothly from one to the next so that for example, 1st couple arrive back in their places at the end of bar 8 so that they can dance the figure for 8 without stopping
Here is a reasonable video of it being danced. Corn Rigs
To see any formations being danced well, have a look at the Lower Hutt SCD instruction videos: Lower Hutt teaching videos
Dance it through in your head – or on your own walk it through
Formation – Promenade. Last time we met I mentioned a rather good demonstration of a 3 couple promenade in the dance Fidget. Here is a link to the video. The end of the promenade is modified for the 1st and 2nd couples who then dance a pousette (the end of which is modified to lead into Double Triangles). Fidget
Although we can’t meet we can do things “together”.
Here are the steps and music for the Amazing Grace warm-up we have been doing recently.